Berthold-Grotesk is somewhat less well-known than other German geometrics of the period. [30][31][32] Early references to Akzidenz-Grotesk at Berthold often use the alternative spelling 'Accidenz-Grotesk'; Reynolds suggests that the name may have been intended as a brand extension following on from an "Accidenz-Gothisch" blackletter face sold by the Bauer & Co. Similar free fonts and alternative for Berthold Akzidenz-Gro - Swansea Bold, Mytupi Bold, Yoxall Bold, Archivo Bold, Gothic A1 Black, Arabic-font-2013, Work S What Font Is UPGRADE [85], Separately, Gerstner and other designers at his company GGK Basel launched a project in the 1960s to build Akzidenz-Grotesk into a coherent series, to match the new families appearing in the same style; it was used by Berthold for its Diatype system in the late 60s under the name of "Gerstner-Programm" but according to Lange it was never fully released. A top serif on the 1 and in some styles a downward-pointing serif on the top left of the 7. 473 except where stated otherwise: Reynolds prefers 'Bold Condensed' to describe the Schmalhalbfett and 'Condensed Heavy' for the Schmalfett. "[113], Digital versions included Greek and Cyrillic characters, and the family includes a condensed, extended, rounded and stencil series. Die Firma H. Berthold, Akt-Ges. [7] If it had an intended meaning, it may have reflected the "primitive" feel of sans-serifs, or their roots in archaic Greek and Roman inscriptions, and was commonly used to mean "sans-serif" without negative implication. "The 1869–1978 headquarters of Berthold today", "New details about the origins of Akzidenz-Grotesk", "Comments on Typophile thread – "Unborn: sans serif lower case in the 19th century, "A new basis for the old Akzidenz-Grotesk (English translation)", "Distribution of sans serif typefaces across German-speaking foundries in the 19th century", "Some notes on the history of Akzidenz-Grotesk Part 2", "Note on the original design patent for Akzidenz-Grotesk", "Notes on the history of Akzidenz-Grotesk Part 2a – Timeline", "Also, the name Accidenz-Grotesk likely came from Bauer & Co., too. Akzidenz Grotesk BQ Bold is the perfect font for all your fun designs. 3. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. Alternatives to Akzidenz Grotesk Font. [66][67][68] Like Tschichold, Gerstner argued that the sans-serifs of the nineteenth century were more "matter-of-fact" (German: Selbstverständlichkeit) than the more "personal" recent sans-serifs of the previous decades. First released in 1898, this font is one for the purists. [83], Contemporary versions of Akzidenz-Grotesk descend from a late-1950s project, directed by Lange at Berthold, to enlarge the typeface family. Protestant by Digital Graphic Labs. Swiss721. Using Linotype’s Basic Commercial is another option. While this was acceptable for posters, by the 1950s hot metal typesetting machines had long since become the main system for printing general-purpose body text, and for machine composition Akzidenz-Grotesk was unavailable until around 1958,[f] when it was first sold on Linotype and then in 1960 on Intertype systems. Please, talk with the author for commercial use or for any support. Released: 2009. That foundry's founder F.W. The web license for Akzidenz Grotesk is prohibitively expensive. [7], Like most sans-serifs, Akzidenz-Grotesk is 'monoline' in structure, with all strokes of the letter of similar width. In 2013, Pentagram partner Domenic Lippa rated Akzidenz-Grotesk as "probably the best typeface ever designed...it doesn’t overdominate when used, allowing the designer more freedom and versatility". [27], Many other grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during this period. The original name of Helvetica was Neue Haas Grotesk but was later changed to Helvetica which means Swiss in Latin. Free Alternative: GNU Free Font Sans Berthold released its own family in this style, Berthold-Grotesk.[d]. The design of Helvetica was influenced by Akzidenz Grotesk. It’s a very versatile font, that can be used in body text and headlines. A licensed adaptation (changing some characters) by the Amsterdam Type Foundry under the name of, Although similar, according to Kupferschmid the type used in, This image shows a later revival of Walbaum's work; during the early nineteenth century figures in roman type were customarily. Also named "Accidenz-Grotesk" and "Normal-Grotesk", it had a more condensed, "boxy" design. Berthold Akzidenz Grotesk BE Light Condensed fontAkzidenz Grotesk Std Light. [3][48] Its competitors included the very popular Venus-Grotesk of the Bauer foundry of Frankfurt, very similar to Akzidenz-Grotesk but with high-waisted capitals, and Koralle by Schelter & Giesecke, which has a single-storey 'a'. "[97], A particular criticism of Akzidenz-Grotesk however, has often been that the regular weight has capitals that look unbalanced relative to the lower-case, as shown on the cover of Designing Programmes, which is problematic in extended text. The display face appears to be Berthold's Herold. Akzidenz-Grotesk Next Extra Light. [103] Capitals in several weights have very noticeably thicker strokes than the lower-case. It has been described as a “Helvetica killer.” The designers of Aktiv Grotesk wanted to create something in between Helvetica and Univers by removing the quirks from Helvetica and adding a bit of warmth to Univers. All the many imitations of Accidenz-Grotesk have not matched its character. [118] A particularly striking feature is a blackletter-style default upper-case 'i' with a curl at the bottom: this is rarely encountered in the English-speaking world (it would more commonly be recognized as a J), but much more common in Germany. [152], Berthold sued Target Corporation for copyright infringement and breach of contract in 2017, alleging that Target had asked a design firm to use the font in a promotional video without a license.[153]. The Helvetica typeface was developed in 1957 by Swiss typeface designers Max Miedinger and Eduard Hoffmann. [103] The capitals are wide and have relatively little variation in width, with letters like 'E' and 'F' quite wide. [3], Akzidenz-Grotesk did not have italics until the post-war period. Lange was instrumental in developing the Akzidenz-Grotesk program at Berthold in the 1950s and 1960s. [10][11] Walter Tracy describes this style of 'g' as a common feature in German sans-serifs of the period and apparently influenced by the tradition of blackletter, still very popular for printing extended texts in Germany in the late nineteenth century, which uses a single-storey 'g' in upright composition.[12]. 15—Helvetica and Standard", "Erik Spiekermann's Statements re Berthold", Berthold Announces the Release of Akzidenz-Grotesk in OpenType Format, "Differences - Akzidenz-Grotesk and Futura", "Differences - Akzidenz-Grotesk and Franklin Gothic", "Differences - Akzidenz-Grotesk and Helvetica", "German, Swiss, and Austrian typefaces named Royal or Akzidenz", "Differences - AG Schoolbook Medium and AG Book", "Neuwelt: an optimistic transatlantic sans serif type family", "BERTHOLD AKZIDENZ-GROTESK - Trademark Details", "AKZIDENZ-GROTESK NEXT – Trademark Details", "Compendium of U.S. This is one for the real type purists. Most of them, in particular the newest designs such as Erbar and Kabel, are inferior to the old anonymous sans-serifs, and have modifications which place them basically in line with the rest of the "art" faces. Just Google “typewolf” followed by the name of a font or browse all fonts, all sites or popularity lists. About the font Berthold Akzidenz Grotesk Light Condensed Berthold Akzidenz Grotesk Light Condensed is free for personal use only. [114][115], Akzidenz-Grotesk Schoolbook (German: Schulbuch) is a 1983 variant of Akzidenz-Grotesk Buch also designed by Lange. Aktiv Grotesk is one of my personal favorite grotesques. [33][34] In general, Reynolds comments that the style of Schattierte Grotesk and Akzidenz-Grotesk "seem to me to be more of a synthesis of then-current ideas of sans serif letterform design, rather than copies of any specific products from other firms. I have to match a commercial font called Neuzeit, and am looking for a free alternative. [110] As in some Helvetica versions, the cedilla is replaced with a comma. Akzidenz Grotesk. The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. Adrian Frutiger commented that Akzidenz-Grotesk forms "patches in print";[98] Reynolds that in a digital version "the capital letters are slightly too dark, and slightly too close to the lowercase letters that follow them in a word"[99] and Wolfgang Homola that in Helvetica "the weight of the stems of the capitals and the lower case is better balanced". Commercial Free Only. [100], lower case: Clean and direct, Helvetica owed much to the German Akzidenz Grotesk, which had been born in the last century out of Europe's modernist movement. [120], Akzidenz-Grotesk Old Face, designed by Lange and released in 1984, was intended to be more true to the metal type than previous phototypesetting versions and incorporate more of the original type's inconsistencies of dimensions such as x-height. [121][69] Berthold promoted the series with a brochure designed by Karl Duschek and Stankowski. Akzidenz Grotesk. Making the web more beautiful, fast, and open through great typography It apparently was cut by Berthold around 1902-3, when it was announced in a trade periodical as "a new, quite usable typeface" and advertised as having matching dimensions allowing it to be combined with the regular weight of Akzidenz-Grotesk. Get flawless typography on every design project. Akzidenz-Grotesk's design descends from a school of general-purpose sans-serifs cut in the nineteenth century. [65] Graphic designers of this style such as Gerstner, Josef Müller-Brockmann and Armin Hofmann all used Akzidenz-Grotesk heavily. "[34] An unusual user of Berthold's Akzidenz-Grotesk in the period soon after its release, however, was the poet Stefan George. *If you sign up for a Creative Cloud plan to access Adobe Fonts, I will receive a small commission. Söhne retains Akzidenz’ analog feel but makes the whole family more consistent, more balanced. [28][29], Recent research by historians Eckehart Schumacher-Gebler, Indra Kupferschmid and Dan Reynolds has clarified many aspects of Akzidenz-Grotesk's history. Diese betrifft das Versal-R, dessen Querstrich zu tief steht, was auffällt und störend wirkt, wenn der Buchstabe zwischen B und E steht. According to Paul Shaw, "exactly when Amsterdam Continental began importing Standard is unclear but it appears on several record album covers as early as 1957. A less folded-up 'a' and 'g' and a narrower 'r' were available by request. [116] It uses schoolbook characters, characters intended to be more distinct and closer to handwritten forms to be easier for children to recognise. Of everything on this list, … Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. [72][73] Much printing around this time of body text accordingly used Monotype Grotesque as a lookalike. [89], The current holder of the Berthold rights is Berthold Types of Chicago, following the bankruptcy of H. Berthold AG of Germany in 1993. CS1 maint: bot: original URL status unknown (, sfn error: multiple targets (2×): CITEREFGerstner1963 (. [146][125] Spiekermann has also released with Ralph du Carrois a very loose digitisation of Akzidenz Grotesk, FF Real, in two optical sizes, with variant features like a two-storey 'g', ligatures, and a true italic. Displaying 1 – 4 of 4 fonts. Originally named “Accidenz-Grotesk” the design originates from Royal Grotesk light by royal type-cutter Ferdinand Theinhardt. [8] Modern type designer Martin Majoor has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the Didone serif fonts that were standard printing types in the nineteenth century, such as Didot, Walbaum and their followers. Public Domain (Free for Commercial Use) 16 font files Download. sfn error: multiple targets (5×): CITEREFReynolds2019 (, Berthold und Bauer werben im Jahre 1899 mit einem aus heutiger Sicht seltsam anmutenden. [3] Other weights were added by the time of the phototypesetting and digital versions, such as the ultra-bold 'Akzidenz-Grotesk Super'. Berthold Akzidenz Grotesk alternative for web use. Vielleicht ist hier eine Verbesserung noch angängig. [64], In the post-war period and particularly in Switzerland a revival in Akzidenz-Grotesk's popularity took hold, in what became known as the "Swiss International Style" of graphic design. [117], Generally based on Akzidenz-Grotesk Book, it includes a single-storey 'a', curled 'l', lower- and upper-case 'k' that are symmetrical, and 't', 'u' and 'y' without curls on the base. Chronos. Die Schriftgießerei Bauer & Co., Stuttgart und Düsseldorf, veröffentlicht unter den heutigen Schriftproben eine schattierte Grotesk und bietet unseren Lesern mit dieser Schrift ein beliebtes, sehr verwendbares Material, das sich in ähnlicher, älterer Ausführung seit jener einen Platz auf allen guten Akzidenzien erhoben hat. [106][99] On many but not all styles a straight leg on the 'R' and a 'Q' where the outstroke does not cut through the letter. … Similar free fonts and alternative for Berthold Akzidenz-Gro - OPTIAkroGrotesk-Cond, Gobold Thin Light, HomePlanetBB-Bold, Early Times Bold Demo, CooperHewitt What Font Is UPGRADE According to Kupferschmid, Ideal-Grotesk, a separate sans-serif face Berthold sold in the first half of the twentieth century, is a Venus knockoff, possibly made by electrotype copying. @kupfers was right. [19] Two design patents on Akzidenz-Grotesk were filed in April 1898, first on the 14th in Stuttgart by Bauer and then on the 28th in Berlin by Berthold, leading Reynolds to conclude that the design was executed in Stuttgart. Akzidenz-Grotesk is a grotesque which is earlier named as sans-serif typeface. In 2008, OpenType Pro versions of the fonts were released. Akzidenz Grotesk is the perfect font for all your fun designs. It has a mechanical skeleton and the forms are largely geometric. [96] Lange commented that the light weight "was my favourite font from the beginning. If you find Typewolf useful, please consider supporting the site to help make it a sustainable side project. [107], number: By the 1960s, Berthold could claim in its type specimens that Akzidenz-Grotesk was: a type series which has proved itself in practice for more than 70 years and has held its ground to the present day against all comers...wherever one sees graphics and advertising of an international standard...starting a revival in Switzerland in recent years, Akzidenz-Grotesk has progressed all over the world and impressed its image in the typography of our time. From this, Switzerland's Haas type foundry created "Neuer Haas Groesk." About the font Akzidenz Grotesk Akzidenz Grotesk is free for personal use only. [74][75][76][51] In the United States, Akzidenz-Grotesk was imported by Amsterdam Continental Types under the name 'Standard', and became quite popular. Originally Answered: What are some typefaces similar to Akzidenz-Grotesk that are available as webfonts? Released in 1898, over half a century before … FontFont's FF Schulbuch family is in a similar style. This old typeface, which these days one would perhaps make in a more modern style, has a peculiar life in its own way which would probably be lost if it were to be altered. Akzidenz-Grotesk Next Extra Light. Archivo Black can be used as an alternative for bold weight as it only has one weight. A square dot over the letter i, double-storey a. [103] Single-storey g.[104], upper case: Theinhardt. It is a neo-grotesque or realist design, deriving from the influential 19th-century typeface Akzidenz-Grotesk and other German and Swiss designs. [7], The 'g' of Akzidenz-Grotesk is a 'single-storey' design, like in many other German sans-serifs, but unlike the double-storey 'g' found in most serif faces and in many of the earliest sans-serifs that had a lower-case; sans-serif types first appeared in London, but became popular in Germany from the mid-nineteenth century onwards. [43][24][44][45][46][27][19][31][47] Reynolds additionally points out that Theinhardt sold his foundry to Oskar Mammen and Robert and Emil Mosig in 1885, a decade before Akzidenz-Grotesk was released, and there is no evidence that he cut any further fonts for them after this year. [149], Besides use in Swiss-style poster design and in New York City transportation, Akzidenz-Grotesk is the corporate font of Arizona State University[150] and the American Red Cross (with Georgia). Akzidenz Grotesk Std Ext. Berthold's Akzidenz-Grotesk family by the late metal type period included the following styles. [9] This is most visible in the quite folded-up apertures of letters such as ‘a’ and ‘c’. As bread-and-butter faces they are less good than the old sans faces...I find the best face in use today is the so-called ordinary jobbing sanserif, which is quiet and easy to read. Its simple, neutral design has also influenced many later typefaces. In 2001 Lange helped Berthold complete the AG series with the additions of AG light italic, Super Italic, light condensed, condensed, medium condensed, extrabold italic, light extended italic, extended italic and medium extended italic. [9] The capitals of Akzidenz-Grotesk are wide and relatively uniform in width. Akzidenz-Grotesk is often translated into English as "jobbing sans-serif" (in the sense of "used for jobs"). Theinhardt foundry", "Some notes on the history of Akzidenz-Grotesk", "Akzidenz Grotesk roots (comments on forum thread)", "Origin of Akzidenz-Grotesk's weight now sorted. Created in 1898 by the H. Berthold AG type foundry, Akzidenz Grotesk (originally “Accidenz-Grotesk”) was the first widely used sans serif typeface, and influenced many later typefaces such as Helvetica, Univers, and others. [83] This added new styles including AG Extra (1958), AG Extra Bold (1966) and AG Super (1968), AG Super Italic (2001) and Extra Bold italic (2001). [108] This means that the letters are slanted without using handwriting forms. [13] A 1921 Berthold specimen and company history described it almost apologetically: "In 1898 Accidenz-Grotesk was created, which has earned a laurel wreath of fame for itself. It was the first sans-serif typeface to ever be widely used and it later influenced the design of Helvetica. Event in the sense of "something that happens", not in the sense of a high-class. [132][133][134], The Swiss digital type foundry Optimo has released an alternative digitisation of Akzidenz-Grotesk named "Theinhardt", which Spiekermann has praised as "the best" Akzidenz-Grotesk digitisation. [22] Sans-serifs had become very popular in Germany by the late nineteenth century, which had a large number of small local type foundries offering different versions. [111] Former Berthold font designer Erik Spiekermann has called Lange's "answer to Helvetica. [122], Several type designers modelled typefaces on this popular typeface in the 1950s; Reynolds comments that the original Akzidenz-Grotesk has limitations in extended text: "the capital letters are slightly too dark. Sans-serifs had become very popular in Germany by the late nineteenth century, which had a large number of small local type foundries offering different versions. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. Foundry: Optimo. A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Berthold first published Akzidenz-Grotesk in 1898. Please, talk with the author for commercial use or for any support. On this page you can download the font AkzidenzGroteskPro-BoldExIt version Version 001.001;Core 1.0.01;otf.5.02.2291;11.07W, which belongs to the family Akzidenz-Grotesk Pro Bold Ext (Subfamily Italic). "Tex Gyre Hero" seems to be a reasonable alternative: Free Font TeX Gyre Heros … [13][16] This is common with nineteenth-century sans-serifs, which were not designed with the intention of forming an extended family that would match together. Helvetica is considered the. Akzidenz Grotesk is a grotesque sans-serif typeface that dates back to 1896. [142][143][144][145], Transport has also been digitised in several versions. [81][82], Metal type declined in use from the 1950s onwards, and Akzidenz-Grotesk was rereleased in versions for the new phototypesetting and digital technologies. Miedinger sought to refine the typeface making it more even and unified, with a higher x-height, tighter spacing and generally horizontal terminals. This is reflected in two alternative forms of a and g. Sowersby has brought Akzidenz-Grotesk to perfection. English names are taken from Berthold's Type Specimen (German: Schriftprobe) No. Swiss 721 is a font from Bitstream library. [9] Stroke endings, though, are less consistently horizontal or vertical than in Helvetica. [13][86][87][88] A digitisation has been released by the digital type foundry Forgotten Shapes. "[3], The light weight of Akzidenz-Grotesk was for many years branded separately as 'Royal-Grotesk'. [135][136] Linotype, which started to sell Akzidenz-Grotesk on its hot metal typesetting system in the 1950s, continues to sell a limited digital version under the other common alternative name, 'Basic Commercial', and Bitstream offer a two-weight version named 'Gothic 725'. All the many imitations of Accidenz-Grotesk have not matched its character that happens '', `` Blue Pencil No akzidenz grotesk alternative... Stefan George-Schrift by Colin Kahn has been published by P22 147 ] [ 86 ] [ 73 ] much around! 119 ] [ 143 ] [ 83 ] Berthold promoted the series with vertical! 24 independent Type Foundries that Monotype Doesn ’ t Own, Industry-Leading designers Share Their 3 favorite typefaces changed Helvetica. ( 2× ): CITEREFGerstner1963 ( use these links as a complete.! The site gets over 350,000 unique visitors a month ; running it is expensive and time.. Typeface making it more even and unified, with a vertical spur files.... 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To perfection as the ultra-bold 'Akzidenz-Grotesk Super ' ] Berthold ceased to Type... Back to 1896 88 ] a digitisation has been published by P22 Miedinger to... Then please use these links as a way to show your support a mechanical skeleton the... One for the purists included the following styles larger families of multiple matched.. Feel but makes the whole family more consistent, more balanced characters more distinct designs! Described above, many influential Graphic designers of this style such as ‘ a and... The Light weight `` was my favourite font from the influential 19th-century Akzidenz-Grotesk. ] a digitisation of Stefan George-Schrift by Colin Kahn has been published by.... S Basic commercial is another option or popularity lists and ‘ c ’ with 7 weights in and! 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